Wilco Solid Sound Festival at Mass MoCA from August 13-15

Wilco, arguably the greatest rock band working today.
I think Wilco is a brilliant and innovative programming choice for Mass MoCA. It is also the best thing to happen in North Adams in years. It is the sort of popular attraction that will make North Adams the center of the universe for fans of rock and roll. Ready or not, this is no cookie cutter event, it's our own mini-Woodstock. Let's hope the city of Spaghetti Suppers and 50/50 raffles has the class to pull off such an important and highly visible event.

One of the unusual amenities being promised is a bicycle valet. Now that is out of the box thinking!

Using the Ashuwillticook Rail Trail? You can take it from Lanesboro to Adams, but then it's Route 8 until the final leg is built. Waiting on the other end there will be a bicycle valet for the Festival, a first for Mass MoCA.
If you are wondering just how they are predicting 10,000 when the Hunter Center at max can hold 900 people standing, 650-700 sitting, there will be three stages set up at MMoCA. The main one will be in the huge field behind MMoCA that is partially owned by National Grid. It's an immense undertaking. Mass MoCA's tech staff is top notch, and handling three stages at once will require an awful lot of good people to pull off successfully.

From what I gather Wilco will not only perform as a band, but also individually.

Wilco will headline the festival with two performances, with additional individual performances by all the Wilco members’ side projects, including Glenn Kotche’s On Fillmore, The Nels Cline Singers, The Autumn Defense featuring John Stirratt and Pat Sansone and Mikael Jorgensen’s Pronto.

They are only selling weekend tickets not one day at a time, which admit purchasers to every event. It is a logistical challenge. If they follow their usual pattern of residencies, they will do half a dozen shows - or more - over the period, each one featuring different combinations of musicians and repertoire. They like to review their recordings without ever repeating a song on any of the set lists.

Fender bender Nils Cline.
There are incredible possibilities with this event, and I hope it succeeds. The Berkshires could develop a popular-rock-mainstream live performance series to equal Tanglewood, and this is the leading edge of a move towards that. That it will happen in the Northern Berkshires is something to cheer about.

Wilco last appeared at Tanglewood and garnered rave reviews even as the ushers tried to keep people plastered to their seats. I love Tanglewood (spent a summer there in the press office once) but the BSO management and trustees have dithered long enough and clearly does not want to dilute its image as a classical music venue by going populist.

Update and mea culpa: Since I wrote those harsh words, the BSO has announced the appearance of folk-rock group Crosby, Stills and Nash at Tanglewood, scheduled for September 1 in the Shed. In addition, jazz legend Herbie Hancock slated for August 9. The summer is shaping up to be a great one.

Though I continue to be concerned about the future of classical music, and the greying of its audiences. In recent times we have seen theatre, dance and contemporary art reinvent themselves over and over. But classical music has hardly changed in 150 years. There's a lot that can be done to bring in more young people, but change is incredibly difficult to sell to the benefactors who make mammoth operations like the BSO and other orchestras possible. It can't be done on ticket revenues alone, and those with the checkbooks call the shots.

Anyway, Stockbridge is in for some fun. And so too is North Adams. The Berkshries are in for something different, very populist, yet tinged with contemporary music, art and old fashioned money. The question is, will it draw a younger demographic, and will their needs be met as smoothly as the older crowds.

Let's hope there is a sensible balance between making sure it is a great experience for concert-goers and residents alike.

With the tickets now on sale I suggest you act soon since I sincerely doubt there will be any left by the time we get to the event itself. Of course the scalpers will try to get their pound of flesh. Word.

Below is the official announcement for the event.

The Hunter Center at Mass MoCA.
The SOLID SOUND FESTIVAL is a new festival curated by the Chicago band Wilco. It debuts August 13 - 15 at MASS MoCA (Massachusetts Museum of Contemporary Art) in North Adams, MA. The SOLID SOUND FESTIVAL is an independently promoted and ticketed three-day event of music, art, comedy, interactivity and more. Wilco headlines the weekend, in the bandʼs only East Coast performance of the summer. This new festival also presents individual performances by all the Wilco membersʼ side projects including Glenn Kotcheʼs On Fillmore, The Nels Cline Singers, The Autumn Defense featuring John Stirratt and Pat Sansone and Mikael Jorgensenʼs Pronto.

SOLID SOUND FESTIVAL at MASS MoCA also plays host to additional musical performances, a fully programmed comedy stage, interactive installations and exhibits (including the Solid Sound Stompbox Station, an interactive guitar pedal exhibit created and demonstrated by Wilco guitarist Nels Cline, a concert-poster screening demonstration, planned workshops by luthiers and more), plus film, video installations and djʼs. Festival attendees will have full access to the entire MASS MoCA campus, which incorporates 150,000 square feet of galleries. MASS MoCA, a renovated 19th century textile mill, is the largest center for contemporary visual and performing arts in the U.S.


Tickets for SOLID SOUND FESTIVAL are on sale this Friday, April 9 through the bandʼs official website wilcoworld.net and through solidsoundfestival.com. From April 9 to May 31 tickets for the three-day event will be available for $86.50 (including all fees and parking) and after June 1 for $99.50 (including all fees and parking).

Art on display during the festival includes the Sol LeWitt wall Drawing Retrospective (chosen #1 exhibition of the year by Time magazine); Inigo Manglano-Ovalle's Gravity is a Force to be Reckoned With; a major exhibition of work by Petah Coyne; Material World: Sculpture to Environment, a group exhibition; Leonard Nimoy's Secret Selves; and a new installation by Michael Oatman.

Tickets for Wilco's Solid Sound Festival will go on sale on-line on Friday, April 9, at 10 AM through www.massmoca.org or at 11 AM in person at the MASS MoCA Box Office. More information is available at www.solidsoundfestival.com. From April 9 to May 31 tickets for the three-day event are $78, after June 1 tickets are $91. Children under 6 are free. The event is rain or shine. Tickets are general admission and are available through the MASS MoCA Box Office located on Marshall Street in North Adams from 11 AM until 5 PM daily.

Massachusetts Ballot Question 1

THE MOHAWK THEATRE IN NORTH ADAMS now being restored.



Voters in Massachusetts will have a crucial decision to make at the polls in November - and it's not just the presidential election.

Once again, they'll be faced with a proposal to get rid of the state income tax - an initiative that's getting more attention this time around because of the economic crisis.

It's called Question 1 - a proposed repeal of the state income tax and of course, the capital gains tax. The greedy are never satisfied.

Supporters say it will take money out of the hands of Beacon Hill politicians who have done nothing but waste it for years. Ask someone making minimum wage in North Adams who gets fuel assistance, Or a senior who uses the Spitzer Center. Or any teacher.

We have a bridge to fix, a city that is already running on fumes, and don't need to see local aid take another hit.

I think it's a reckless idea.

"This is throwing a bomb into government," said Peter Meade, head of the Vote No on 1 Committee. "If you vote yes, you're voting to increase the tax on your home."

For more information about how this measure will affect your town or city, check out this interactive map and web site.

Columbus Day Weekend

A "Trock" Dancer Prepares

It was both whacky and wonderful in the Berkshires over the Columbus Day Weekend. My friends from Boston could not get a room nearby, so they did not get to enjoy the Trockaderos de Monte Carlo who played the Hunter Center at Mass MoCA in North Adams, MA. It was a great show, and you can read my review here:

Larry Murray's Berkshire Fine Arts Review

Since I wrote it, several people have asked me about some of the more unusual dance phrases I employed in the critique.

So here are a couple of images to illustrate what a ponche and a "fish" dive are.

The ballerina is doing a "ponche" with one leg en pointe and the other pointing at midnight, a feat which i have never seen a male dancer able to perform.

And this is the gorgeous "Fish" Dive, which is as complicated as a it is beautiful and only lasts a second or two.

Another wonderful review of this performance was published by the very astute Gail Burns which you can find here:

Gail Sez Review

While North Adams is in no danger of becoming another Provincetown, it surely was nice to see a little diversity in the artistic offerings. And the sold out houses for the "Trocks" indicates that there is a market here for both more dance, and more camp.

The North Adams Battle of the Benches

Mayor John Barrett has been battling the placement of benches in downtown North Adams for years and years. He is sure they are a nuisance, and would have the unfortunate effect of attracting people to the downtown. The "wrong" kind of people to him, you know, kids, families, citizens, shoppers. Private citizens have paid for and placed some benches there over the years, but he has yards and yards of red tape to wrap around such efforts.

So what does this have to do with the Arts in America? Only this:
The James Michael Curley Park with bench

James Michael Curley was Mayor of Boston for decades and decades, and a book was written about his life, "The Last Hurrah". I was pals with that Mayors son, Francis Xavior Curley, a Jesuit priest until his passing a decade or so ago. He never got to write the book about his father he always said he had "up here", in his head. Father Frank made a wicked good martini.

Well the Curley family is all gone now, but the City of Boston remembered him fondly, with some bronze statues, and a couple of benches right outside Ciry Hall. Tourists stop by the bench and sit next to the now silent mayor and have their picture taken. It lifts their spirits and provides a wonderful memento of their visit to Boston.

Mayor John Barrett of North Adams (Giuliano photo) Behind the Mayor are paintings by Adams artist Henry Klein.

If only Mayor Barrett could see the wisdom behind a bench. Or two. Or more.

The sculptor of the Curley works is Lloyd Lillie who is currently Professor Emeritus at Boston University, where he began teaching in 1961. His commissions of local celebrities such as Arnold "Red" Auerbach and Mayor James Michael Curley are among the most popular public sculptures in Boston. Lloyd Lillie's Website

I believe he is still accepting commissions, and perhaps a similar bench work, that of a typical mill worker and honoring the city's industrial past would be appropriate.

First Snowfall of Berkshires Winter, 2007-8

My little "Shotgun House" in North Adams.


Stopping by Woods on a Snowy Evening

Whose woods these are I think I know,
His house is in the village though.
He will not see me stopping here,
To watch his woods fill up with snow.

My little horse must think it queer,
To stop without a farmhouse near,
Between the woods and frozen lake,
The darkest evening of the year.

He gives his harness bells a shake,
To ask if there is some mistake.
The only other sound's the sweep,
Of easy wind and downy flake.

The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

-- Robert Frost

Jane Hudson's sepia images. an appreciation

Unexpected flowers are always a joy to discover.



Jane and Jeff Hudson are a perfectly matched set, provided you like interesting pairings. They've literally made music together for many decades, and feed each others active minds with hundreds of morsels of interesting tidbits every day. That they chose North Adams in the Massachusetts Berkshires as their stage makes all of us who live here, their players.

I mention Jeff because without him, Jane would not be complete. And vice versa. But this is about Jane, a true Renaissance Woman if there ever was one, and the photographs she has on display at the gallery in her store, North Adams Anqiques, already a "must" destination at 49 Main Street, Open most days, but call 413-662-2221, they may travel a bit during the winter.

The image above is of a typical glorious but faded "Painted Lady" Victorian house. So many of them dot the landscape at unbelievably low prices. This one is home to the owner's of Racine's Farm, a local landmark for fresh produce in season, especially apples, corn and tomatoes. You can see additional images of the farm as taken by Charles Giuliano in Berkshire Fine Arts - which both Jane and I have written for on occassion. More farm images by Giuliano




This sensual image of Goddess Earth reminds me of Delphi in Greece, which was considered the naval of creation by worshipers of the Oracle. The sun-dappled rolling mountains of the Berkshires, roiled by floods and glaciers are a wonder to behold. Jane captured this image from a viewpoint I have not seen before, and in the sepia treatiment Jane has given her images, it is timeless. I think it is difficult to make scenic views interesting from an artistic viewpoint, but she has succeeded in this carpeted view of nature's cover.

Speaking of Oracles, many political leaders asked the oracle’s advice before taking a decision, which indicated the crucial role it played not only in everyday life but also in political affairs. Today the arts are, in part, an oracle of the future.



This silo image immediately brought to mind sensual thoughts, rough hewn phallic ones, and yet, the Trinitarian shape of the coal silo's topmost piece, um, points to other possibilities, including a finger pointing to Heaven. Jane tells me that the silo is still full of railroad coal, perhaps for the fires of Hell? Jane of course has critiqued thousands of images over the years both in her role as a teacher at the School of the Museum of Fine Arts and as a respected arts commentator. As with all of her images, it is always delightful to ask her to tell us a little about each one, and I won't spoil the fun more than I already have.



This is, I believe, one wall of the Cascade Mill in Clarksburg, and the shadow of an elongated tree. It prompts the question of what is permanent, what is passing. The pattern cast by the tree serves as a sort of ever changing pattern, but this is the sort of magical en plein aire moment artists often try to seize with their brushes (Monet comes to mind). While a camera is ideally suited for this task, a good photographer still has to wait and watch for the perfect confluence of light and shadow to occur.



The trapezoid form is an accidental function of the railtoad bridge, partially because of the time of day and also due to the turn in the road which is a peculiarity of these old structures in North Adams.

There are many additional images on Jane Hudson's website, and on view at the Gallery itself. They are surprsingly affordable.

In a Boston Globe review, Cate McQuaid wrote of her work: "Hudson plumbs it with haunting eloquence, tying ancient and natural imagery with unnerving colors to create a visual pageantry of grief and hope."

Jane's images

North Adams Antiques, Jane's new home

Buchel offers Mass MoCA a parting gift

Photoshopped image by Larry Murray

Lost in all the commotion over the decision to disassemble the never completed Training Ground for Democracy exhibit was a telegram that Christoph Buchel sent the Boston Globe. In it..."he offered to donate a permanent installation that would not cost anything to mount. He concluded the e-email with an image of the plan, a tweak of the museum's rooftop signs to spell out "Mass CoMA."

The Globe article by Goeff Edgers also carried details the local newspapers in the Berkshires avoided mentioning, or were too lazy to dig for. For example, it will cost the museum another $40,000 to remove and dispose of the remains, though not all of it will end up in the dump. A mile of cinder blocks, a house trailer, and numerous other items have some value which they may recoup, or donate to worthy causes. The MoCA Director, Joe Thompson is quoted as saying he will try "to find good places for those. Clothes, stretchers, beds, file cabinets. In some ways, what we have is a vast recycling effort."

Globe story

The Weekly Berkshire Advocate, a shadow of its former sometimes feisty self, relegated a short mention to the back third of the paper, finding recipes and church suppers to be of more importance. Sometimes they just don't understand what is news and what is filler. Boring is as boring does. Their idea of controversy is publishing Jack Murphy's homophobic rants in their letters to the editor column. Not once, but over and over. Once was mroe than enough.

Anyway, Joe, I still think that "what we have" is the makings of a vast and newsworthy Tag Sale. Who says you couldn't lay it all out in the parking lot in roughly the same order it was inside and let people look it over?

Wink, wink.

Mass MoCA vs. Christoph Buchel

It's been nine months of uncertainty but finally the spendthrift Christoph Buchel is about to have his garbage dump of an installation hauled off to be disposed of forever. About time. This uber genius is just a hoarder in artist's clothing and gives contemporary artists - already hard pressed for respect - a bad name.

In case you haven't heard, Buchel's "Training Ground for Democracy" was a pretty monumental undertaking, scheduled to have filled the football field sized Gallery 5 at the Massachusetts Museum of Contermporary Art (Mass MoCA) in North Adams, MA where I live. It was to be Buchel's first major American museum work, and by December when he walked off the site, it had already included a two story house, an oil tanker, mobile home, and sixteen truckloads of donations from resideents of North Adams to fill the space.

But Buchel appears to have been stymied by the size of the place, and asked for a full sized and burned out hulk of a 727 plane to fill some of the space. Apparently even adding the defunct North Adams Cinema from Route 8 was not nearly enough to fill the gaping yaw of the gallery. After making many more outrageous demands, the museum said enough and Buchel walked off the job, and conducted negotiations through his lawyers, tying up the site well into its scheduled run. The public never got to see anything.

The exhibition was scheduled to cost $160,000, the artist spent twice that, some $300,000 and Mass MoCA even offered another $100,000 in hopes it might be finished but the artist was adament that there could be no ceiling, no limit to his demands, no discussion, no deal. No shit.

Eventually this all ended up in court, as Rinker Buck from the Hartford Courant so ably reported at:

Rinker's story

Now the museum has announced that the entire mess is to be dismantled over the next five weeks and eventually there will be a forum, seminar, or some such event to discuss everything that happened. I hope Buchel attends.

The Museum has a blog that explains it all (from their perspective, of course.)

MoCA Blog

My own reaction to the unraveling is that the museum should move everything out to the parking lot and have a giant tag sale. They would at least recoup some of the expenses, and maybe the North Adams folks could purchase back their donations.