Showing posts with label contemporary art. Show all posts
Showing posts with label contemporary art. Show all posts

Tuesday, December 23, 2008

The Fragmented Orchestra - John Cage Redux

The Fragmented Orchestra's "neurons"

When you can't compose or play music, this is what you do. You let serendipity do the work for you. Composer John Cage was among the first to do this, and his results still set a high standard of nonsense for others to emulate, follow and perhaps even top.

The Fragmented Orchestra is such an effort. Jane Grant, John Matthias and Nick Ryan have modeled this project on the neurons in the human brain. Of course the brain can make millions of connections and is organized in an incredibly complex way. So the first task of the creators was to dumb down the human brain's functions to that of a gnat, or something even simpler. They have selected 24 sites scattered across the UK and connected them together in an ersatz "neural network". They then capture sonic information at each individual site and use the internet to make the other sites "fire". There is a video demonstration of this on You Tube.



Serious art or satire....that is the question. You can decide by visiting their site and playing with it for a while. You can add and delete sites and put together your own compositions.

Having both watched the video presentation and mucked around their website, I say it is a pompous bore. Your opinion may differ. These kind of random artistic experiments are becoming rather commonplace. Recently, right here in rural Western Massachusetts we had another, consisting of various lamps that flashed off and on in interconnected galleries.

"Lumens" used borrowed lamps from residents of the Berkshires.

Called Lumens, it was an installation by artists Ven Voisey, Sean Riley, and Matthew Belanger of Greylock Arts which is discussed here and also here.

The concept was to (re)connect North Adams and Adams. It was housed in two galleries, Greylock Arts in Adams, and the MCLA Gallery 51 Annex in North Adams. Excuse me while I yawn. In the end It held my interest for about six seconds. I guess I just don't get it. It was about as exciting as listening to my Rice Crispies, or that old cliché, watching paint dry. This sort of art is what I call theoretical art. It is more interesting to talk about as a concept than to see.

In the end, Turbulence, the site that records and documents this work is far more interesting than the work itself.

Wednesday, November 14, 2007

Damien Hirst: Gory Genius or Butcher of Art?


Art that gets PETA upset

What on earth is British artist Damien Hirst going to do with his butcher shop inventory of 30 dead sheep, two sides of beef, 300 sausages and a pair of doves? Why find a big dead shark to add to his art installation of course.


The art world continues madly turning out art that begs the question of who is mad here, the art world glitterati who love this stuff, or those of us who wonder where it will all end.


Hirst's "The Physical Impossibility of Death in the Mind of Someone Living"

Hirst reminds me of Buchel. As the Buchel fiasco at Mass MoCA progressed, I spent a good deal of time researching his other works and came to believe that he was descending into madness at a pace that matched his own work. Messy voyeuristic bedrooms became neurotic enclaves, then massive tributes to obsessive compulsive collectors.

Just before he received the Mass MoCA commission his work became increasingly psychotic, turning on themes of hoarding, kidnapping and ultimately, to a archaeological dig for some future generation to figure out. And in the end, Buchel's madness was uncontrollable and the whole project collapsed.


Hirst's "In His Infinite Wisdom"


Hirst's installation at Lever House in New York City.

Here, Hirst is dissecting the world of the living to examine it, the remnants immersed in formaldehyde. His latest work was commissioned by real estate developer Aby Rosen, for his Lever House. It is called "School: The Archaeology of Lost Desires, Compehending Infinity, and the Search for Knowledge." Hirst says the work is a homage to Francis Bacon's 1946 "Painting". He was paid $10 million for it.


Bacon's 1946 "Painting" that started it all.


Hirst's skullpiece is called "For the Love of God. " This life sized platinum skull is decorated with 8,601 high quallity diamonds. He priced it at $100 million, making it the most expensive pice of contemporary art to date, but nobody bought it. Last I heard, it was available for half off, or just $50 million.

Madness.