MOMIX does insects, too

After seeing the incredible OvO from Cirque du Soleil (reviewed in previous post) I went in search of other dancers that celebrate the world of insects and found a Momix video excerpt from their Joyce appearance in May 2009. It is apparent that the world of Entomology still offers plenty of ideas for choreographers and dancers. The one thing missing from the Cirque show was a flying act on bungees with silk wings fluttering which judging from this video would not be that difficult to stage.

Cirque du Soleil brings Ovo to New England: Hartford now, Boston next

Ovo immerses you in a colorful ecosystem teeming with life.

First a little background before the OvO review. Hartford is the seventh city on the worldwide tour of OvO, which began in Montreal in April 2009. It's arrival in Hartford follows the successful runs of Dralion there in 2003, Varekai in 2005 and Kooza in 2008. It plays until July 11 and then packs up and heads to Boston where it plays from July 22 to August 15. So now, the question is, how does OvO measure up compared to the earlier shows?

OvO is simply the best show Cirque du Soleil has ever sent on the road. Written and directed by Deborah Colker, it has moments of sheer spectacle, held together with dance, movement and pure theatrical wizardry. During a performance you may notice subtle references to artists such as Gaudi, Dali and Piazzolla while enjoying performers dressed as butterflies, spiders and even a Ladybug looking for a mate.

OvO (which means egg in Portuguese) is the 25th quirky show from Cirque, created for the company's 25th Anniversary. Currently playing in Hartford, next month it moves on to Boston, then to Washington, DC in September.

Spiders are more artistic than scary.
Even for those who have seen Cirque du Soleil, it is difficult to describe the experience. Those flat two-dimensional televised snippets of their performances don't do it justice, and even in print, how can words describe a basically wordless show?

You don't just see a Cirque show, you experience it. On the way in you may hear some first time ticket buyers complain about the ticket prices (they're not cheap) but you never hear that on the way out. You get a lot for your money. There's more imagination and entertainment compressed into 2.5 glorious hours than you will get in a month on commercial television.

The fun begins the moment you spot their blue and gold Grand Chapiteau (big top) at the Intersection of I-84 and I-91 In Hartford. It seats 2200.

As you push the canvas flaps aside to enter, you notice the subtle smell of grass and hear a cacophony of insects all around you. Scientists in beekeeper-style helmets with nets and specimen boxes patrol the audience, on the trail of insects. A few unfortunate latecomers are examined, magnifying glasses are employed, and Grotowski-esque mutterings and grunts fill the air. The show has no script, but uses a wide variety of the Polish theatre director Jerzy Grotowski's techniques to communicate their surprise, happiness etc. Once in a while you can even make out the word "ovo" or "no" but Cirque's shows are created for multi-lingual audiences. They travel the world.

The scarabs operate at the top of the tent.
As this is happening, insects are slowly hopping, crawling, slithering and otherwise finding their way on stage. Someone is lugging a human sized egg through the audience. On stage is a gigantic egg, perhaps 60 feet wide, dominating everything. In the background is an organic structure reaching from floor to ceiling. Two pods of four musicians each begin playing a samba with tango overtones. All this, and then the show actually begins.

The audience becomes aware that they have shrunk in size and importance and entered a different world. OvO offers a headlong rush into the insects colorful ecosystem. On stage we watch as the creepy-crawlies work, eat, flutter, play, fight and look for love in a non-stop dance of endless energy. Giant flowers open and their scent fills the air. The insects’ home is a world of biodiversity and beauty alternately filled with noisy action and moments of quiet emotion.

The contortionist made the audience gasp at her impossible combinations.
But all this is simply the lavish frosting to introduce the circus acts, albeit using every dance and theatre trick imaginable. Just as Julie Taymor created a special world for the animals of The Lion King so do Deborah Colker and Chantel Tremblay create an imaginary world for the insects. OvO's costumes are not precise depictions of what a cricket or ant looks like, but an interpretation. None of the proceedings will upset someone who might get squeamish at the site of a spider, ant or cockroach. Instead it's like being twelve years old again, looking to see what's hiding under the rocks in the back yard.

With 54 performers from 16 countries, there are a lot of insects. For example, five yellow and-red fleas fling themselves through the air and come together in graceful, perfectly balanced sculptural formations. A Dragonfly performs a graceful balancing act. A spider defies gravity and physics on the slack wire earning gasps and applause from the onlookers.

Perhaps the most stunning performance was that of the "scarabs" who operate from perches high above the audience . It is an act that combines several traditional circus skills like banquine, Russian swing and swinging chair. These fly boys leap from the edges of two platforms in the rafters to the catchers positioned on a third. Their physical setup is the largest ever created under a big tent, and requires some 16 people just to set up. They do it in minutes as other action was taking place on the stage.

The fleas cling to each other as they jump about.
The penultimate act was the 25' high Cricket Wall, which has 20 artists running, jumping and walking across its jagged face. Using trampolines and power tracks - plus pure physical strength and teamwork - they leap, jump and spring to the top. The effect is so stunning that the audience can not believe what it is seeing. But there are no hidden wires, nothing but the artists and the setup. A similar effect is used at the close of La Nouba, a permanent Cirque show in Orlando. It is an acrobatic achievement like no other.

Cirque's productions have become so elaborate and intricate that they are becoming more grandiose than Grand Opera. Like that art form, they combine spectacle, theatre and music into a whole new experience. The gold and crystal of the venerable Metropolitan Opera House is even challenged by the KA theatre Cirque created at the MGM Grand in Las Vegas. Instead of monied gilt, that theatre's interior resembles the heart of a giant space ship with a hydraulic stage that arises from the deep.

Everything about this show is amazing, scenery, costumes and makeup included. The costumes for OvO are not only intricate, they are sufficiently detailed to allow close-up scrutiny. (They offered, I accepted.) But what makes them special is they are also truly durable. They are able to take the punishment these circus acts inflict on them. Liz Vandal, who created them, is known for her futuristic superhero costumes, and for recreating suits of armor from all eras. There is little doubt that is why they have such beauty and durability.

In OvO, it is the lighting and sound people who create the magical environment that surrounds the audience. There are four enormous lighting toweres and the same number of giant subwoofers strategically placed under the seating. 100 surround speakers are placed around the arena to immerse the audience in a wall of sound. The effect is stunning. You can feel the action at several points in the evening. And subtle. The chirping and chattering never stops, yet becomes a soundstage on which everything else is overlaid.

OvO, like most Cirque shows, is designed to please all ages and all levels of sophistication. As someone who has seen ten of their 25 shows, the question is when they will begin repeating themselves. Yes,, there are certain elements that appear in all their shows, which might be dismissed as just a bunch of dressed up circus acts.
But like a good meal, where we use the same ingredients over and over, Cirque always creates totally new and different menus to excite our taste buds. This is a company that totally reinvents themselves again and again. Any Cirque du Soleil show makes for a great way to spend an evening. But this is one you should see early. And often.

This is only two-thirds of Ovo's huge cast!

Dates, Performance and Ticket Information

Cirque du Soleil's OvO opens in Hartford June 17 and runs through July 11. It then moves on to Boston from July 22 to August 15 and Washington, DC from September 9 to October 3.

The performances are Tuesdays thru Thursdays at 8:00 p.m.; Fridays and Saturdays at 4:00 p.m. and 8:00 p.m. and Sundays at 1:00 p.m. and 5:00 p.m. No performances on Mondays. Tickets are available via www.cirquedusoleil.com/ovo or at 1-800-450-1480. A VIP Tapis Rouge™ package is also available.

A slightly different version of this review appeared earlier in Berkshire Fine Arts.

Cirque du Soleil's "OvO" Arrives in Hartford June 17

"Families will literally BUG OUT and HAVE A BLAST"
- Time Out Kids
Cirque du Soleil's Grand Chapiteau (Big Top) returns to Market Street in Hartford June 17 for OvO, a show teeming with insects.

OvO is the most jaw dropping spectacle yet from the Cirque du Soleil, and it is creating significant buzz as the best touring show this company has ever put on the road. Currently playing in New York City (Randall's Island Park) to June 6, the company will pack up its tent and move to Hartford June 17 to July 4 and then Boston from July 22 to August 15.

In Hartford it is conveniently located at the intersection of I-84 and I-91 (Northwest corner). In Boston the blue and yellow tent will be found at Fan Pier and Pier 4 instead of Suffolk Downs.

All About OvO

OvO is a headlong rush into a colorful ecosystem teeming with life, where insects work, eat, crawl, flutter, play, fight and look for love in a non-stop riot of energy and movement. The insects’ home is a world of biodiversity and beauty filled with noisy action and moments of quiet emotion.

When a mysterious egg appears in their midst, the insects are awestruck and intensely curious about this iconic object that represents the enigma and cycles of their lives. It’s love at first sight when a gawky, quirky insect arrives in this bustling community and a fabulous ladybug catches his eye – and the feeling is mutual.

Cirque du Soleil's OvO is visually stunning.

As anyone who has seen a Cirque show knows, their sows are overflowing with contrasts. The hidden, secret world at our feet is revealed as tender and torrid, noisy and quiet, peaceful and chaotic. And as the sun rises on a bright new day the vibrant cycle of insect life begins anew.

The cast of OvO comprises 54 performing artists from 16 countries and director Deborah Colker, a renowned choreographer, has integrated dance movements into many of the acts in the show. Colker is the first female Director at Cirque du Soleil.

OvO features many acrobatic acts including a stunning flying trapeze act: Six flyers soar 40 feet in the air, making this act the biggest of its kind ever presented under a big top by Cirque du Soleil. It combines many circus disciplines: banquine, Russian swing and swinging chair. The finale features 20 artists running, jumping and leaping up a 24-foot vertical wall.

The playing space envelops and involves the audience.
The Creative Team behind the world of OvO is: Artistic Guides Guy Laliberté and Gilles Ste-Croix; Writer, Director and Choreographer Deborah Colker; Director of Creation Chantal Tremblay; Set and props Designer Gringo Cardia; Costume Designer Liz Vandal; Composer and Musical Director Berna Ceppas; Lighting Designer Éric Champoux; Sound Designer Jonathan Deans; Acrobatic Equipment and Rigging Designer Fred Gérard; Acrobatic Performance Designer Philippe Aubertin; and Makeup Designer Julie Bégin.

iShares is the presenting sponsor of the 2010 U.S. tour of OvO. Sun Life Financial, CGI, Wyndham Hotels and Resorts and American Express are the official sponsors.

Everything about OvO is extravagant: huge cast, live music, incredible costumes, clowns, acrobats, what's not to like?

"WHAT A SHOW! To say audiences are wowed is an understatement."
"It's not just great family fun; it's breathtaking."
- The Huffington Post.com

Ticket Information

The performances are Tuesdays thru Thursdays at 8:00 p.m.; Fridays and Saturdays at 4:00 p.m. and 8:00 p.m. and Sundays at 1:00 p.m. and 5:00 p.m. No performances on Mondays. Tickets will be available as of this Sunday, April 11 at 9 a.m. via www.cirquedusoleil.com/ovo or at 1-800-450-1480. Tickets for adults are from $45 to $125 and tickets for children are from $31.50 to $87.50. A VIP Tapis Rouge™ package is also available. It includes one of the best seats in the house, as well as access to the VIP suite one hour before the show and during intermission. The adult package is available for $250 and the child package for $175 (aged 2 to 12 years old). Prices include taxes.

Bring a Friend for $25 to a Cirque du Soleil Las Vegas Show

The stage at KA goes from horizontal to vertical while incredibly complex acrobatics take place.
Cirque du Soleil's six resident shows in Las Vegas are more theatrical and elaborate than their touring offerings. But with the economy being soft, there have been some seats going unsold, and to help fill their houses, the Cirque has come up with a special "bring a friend" promotion which lets you buy one ticket at regular price, and another for only $25. Tickets are only sold in pairs with one ticket at standard price, the other at the $25.00. The offer is good for selected shows and seating areas through October 31, 2009. There are service charges on all ticket purchases.

To take advantage of this great deal, go to www.cirquedusoleil.com and enter the code "Summer" when ordering. You can also call 866-998-4830 and use the same code. Here is a rundown of the shows you can choose from:


Mystère is classic Cirque du Soleil, combining the powerful athleticism, high-energy acrobatics and inspiring imagery that has become the company's hallmark. Deemed a theatrical "flower in the desert," Mystère thrills generations of audiences with its exhilarating blend of whimsy, drama and the unimaginable brought to life on stage. Presented exclusively at Treasure Island, Mystère provides the ultimate discovery that life itself is a mystery. I have seen this show three times now, and although it is the longest running in Las Vegas, I discover new elements every time I see it.


Cirque du Soleil paints an aquatic masterpiece of surrealism and theatrical romance in the timeless production, "O". Inspired by the concept of infinity and the elegance of water's pure form, "O" pays tribute to the beauty of the theatre where anything is possible and where the drama of life plays itself out before your very eyes. I was lucky enough to see this show from the "splash" seats. Only at Bellagio, Las Vegas.


Zumanity, The Sensual Side of Cirque du Soleil, is a seductive twist on reality, making the provocative playful and the forbidden electrifying! Leave all inhibitions at the door and let loose as this adult-themed production takes you on a sexy thrill ride full of sensational acrobatics and naughty fun. Great for the straight set, but rather dull for my gay sensibility. Zumanity was created for adults 18 and over. Only at New York-New York Hotel and Casino, Las Vegas.


KÀ, the unprecedented, gravity-defying production by Cirque du Soleil takes adventure to an all new level. Be awed by a dynamic theatrical landscape, as an entire empire appears on KÀ's colossal stage and a captivating display of aerial acrobatics envelopes the audience. The theatre itself is worth a visit, the hydraulically operated stage is a wonder to behold as it moves up and down, and tilts like a gyroscope. Only at MGM Grand, Las Vegas.


With LOVE, Cirque du Soleil celebrates the musical legacy of The Beatles through enhanced versions of their timeless, original recordings. The exuberance of The Beatles is channeled through the youthful, urban energy of a cast of 60 international artists. With panoramic sound and visuals, audiences experience The Beatles as never before. A delightful trip into the past with the best music ever written. Only at The Mirage, Las Vegas.


CRISS ANGEL Believe from Cirque du Soleil is a haunting exploration deep inside the inventive mind of mystifier Criss Angel, as he hovers between the land of the living and a surreal world. This twisted tale is uniquely woven together by the distinctive imaginations of Criss Angel and Cirque du Soleil. Exclusively at Luxor Las Vegas. Please be advised: This dramatic production is not for the faint of heart.

Kooza from Cirque du Soleil - The Best Road Show Yet

The acrobats (below) reach new heights (above) using stilts
The opening act of Kooza is spectacularly choreographed.

Kooza is worth a trip, and the expense for good seats. It is the ultimate spectacle, with both roll-in-the-aisles-laughter from the clowns, and heart-stopping, breath-taking acrobatic acts. Cirque du Soleil is often imitated, but all those second rate companies simply pale in comparison to the real thing, as this traveling edition of Kooza now playing in Boston proves. That includes the the horrible arena shows that Cirque inexplicably sends around the country with Clear Channel Entertainment. If you like beer signs and scoreboards to clutter up your view of the stage, and have very good eyesight, I suppose these horrid arena productions are ok, but my advice is to avoid them like the plague. Most seats are too far away from the stage to see much, and if I wanted to watch them perform on a flat two-dimensional screen, I would rent the DVD.
David Shiner wrote and directed Kooza

Kooza was written and directed by the immensely talented David Shiner, and he has done a magnificent job. You can read my full review at Berkshire Fine Arts, the online magazine

"Cirque du Soleil delivers an unforgettable evening of outrageous clowning, astounding acrobats and colorful spectacle that is best described as "Theatrobatics!" Best of all, Kooza is the newest and funniest of their touring shows and even given the pricey tickets, worth every penny."

Kooza is Clowns, Acrobats and Spectacle

Kooza's run in Boston has just been extended until October 12, and I would not be surprised if there was one more week's extension, since they do not have to be in D.C. until late in the month. Here is the schedule:


Boston, MA
Sept. 5 to Oct. 12

Washington, DC
Oct. 30 to Nov. 30

Atlanta, GA
Jan. 2 to Jan. 25 2009

Baltimore, MD
Spring 2009

New York, NY
Spring 2009

Tickets and information: The Cirque du Soleil Kooza site

Cirque du Soleil's Kooza and Saltimbanco in Boston and Amherst

A spectacular moment from Cirque du Soleil's Saltimbanco coming to Amherst September 3-7

Cirque du Soleil has remade the traditional circus into a true artistic experience. Their mission is to invoke the imagination, provoke the senses and evoke the emotions of people around the world. In the process of reinventing the art form, this Montreal based company has grown from a small troupe of twenty performers into a worldwide phenomenon. They have 4,000 employees, and 17 shows currently being performed all over the world. I am impressed that they dispensed with the circus animals that were often brutally forced to entertain us. Good thing too, since the handlers often utilized hurtful training methods on the animals in their care.

Cirque rethought the way everyone from the clowns to the trapeze artists perform, raising the bar to the point where even Ringling Brothers tries to copy their concepts, costumes and choreography. But nobody does it like the Cirque people. This coming month, there will be two Cirque du Soleil troupes visiting Massachusetts. One is a tent show, the other a touring arena production.

Arriving in Boston on September 5 for a month's stay at the Bayside Exposition Center, Cirque du Soleil will set up their Grand Chapiteau near the extensive parking lot and MBTA station. The show is fresh and new and "Kooza" tells the story of The Innocent, a melancholy loner in search of his place in the world. The plot, of course, is just the connective tissue that holds together the half dozen acts that are presented with the most glorious costumes, lighting and special effects. Click here for Kooza information

One of the Cirque clowns in Kooza in Boston, September 5- October 5

The Arena Show is an old favorite of mine (I have seen almost all the Cirque shows - three of them multiple times) titled Saltimbanco. It will play the Mullins Center at the Univesity of Massachusetts in Amherst from September 3-7. Saltimbanco takes spectators on an allegorical and acrobatic journey into the heart of the city, celebrating the people who live there. Click here for Saltimbanco information

Either show will provide memories for a lifetime. I guarantee it. Like me, you may be bitten by the Cirque bug, and start thinking about seeing their five shows in Las Vegas (Mystère is still the best in my opinion) or Orlando to see La Nouba. If you are ever in Hong Kong, take the boat to Macau for Zaia.