Edward Albee's A Delicate Balance Next for Arena Stage

Illustration by Jim Salvati

A Delicate Balance is a searing play which won the 1967 Pulitzer Prize, and Edward Albee himself is helping guide the cast and creative team in this provocative new staging. Experienced Albee collaborator Pam McKinnon directs, and Albee himself has already made an appearance as the Arena Stage prepares the work.

Featuring Broadway stars Kathleen Chalfant (Wit, Angels in America), Terry Beaver (Henry IV, The Last Night of Ballyhoo), Ellen McLaughlin (Angels in America) and Carla Harting (Eurydice),joined by Helen Hedman and James Slaughter, A Delicate Balance runs February 6–March 15, 2009 at Arena Stage in Crystal City, Virginia.

L-R) Ellen McLaughlin as Claire, Kathleen Chalfant as Agnes, Terry Beaver as Tobias, and Carla Harting as Julia in A Delicate Balance at Arena Stage in Crystal City February 6—March 15. photo by Scott Suchman

“Albee is fearless about writing stories that get us in the solar plexus, and he does so with his brilliant wit, dynamic storytelling and rigorous use of language,” shares Artistic Director Molly Smith. “His work draws the best artists, and with this production audiences are fortunate to have an enormously strong cast and creative team—approved by Albee himself.”

“A Delicate Balance is a mountain of a play, at once domestic and existential, both funny and harrowing,” says MacKinnon. “It is a true joy to come to rehearsal to wrestle with this potent classic that seems perfectly written for our precarious times and having Edward around is always a treat. The actors feed off his insights and it's a great shortcut to actually hear the author's intent.”

The play explores the complicated family life of Agnes and Tobias, a retired couple living in suburban America with Agnes’ alcoholic sister, Claire. Agnes and Tobias’ house becomes unexpectedly full when their daughter, Julia, returns home after yet another failed marriage and their friends Harry and Edna move in without warning. Free-flowing cocktails, secret histories and unspoken boundaries create the prickly climate of this American family.

Tickets may be purchased online at www.arenastage.org and by phone at (202) 488-3300.

Next to Normal at Arena Stage. Washington, D.C.

(top)  Aaron Tveit as Gabe, (second row - behind the scrim - L-R) Alice Ripley as Diana, Louis Hobson as Dr. Madden, (front row, L-R) J. Robert Spencer as Dan, Jennifer Damiano as Natalie and Adam Chanler-Berat as Henry. Photo by Joan Marcus

Around the beltway, even the pols are talking about the big musical hit at Arena Stage in Washington, DC, but there are only two more weeks in which to see it. Pre-inauguration visitors are gobbling the tickets up, so get your ducats asap. The show, if you haven't heard by now, is Next to Normal which arrived at Arena Stage shortly after its premiere production at Second Stage Theatre in New York City.

“This is a musical that gets under your skin,” comments Arena's Artistic Director Molly Smith.

Next to Normal is a contemporary musical that explores how one suburban household copes with crisis. With provocative lyrics and an electrifying score of more than 30 original songs, Next to Normal shows how far two parents will go to keep themselves sane and their family’s world intact.

(L-R) Aaron Tveit as Gabe, Alice Ripley as Diana and J. Robert Spencer as Dan at Arena Stage in Crystal City through January 18, 2009. Photo by Joan Marcus

The music is by Tom Kitt, book and lyrics by Brian Yorkey and direction by two-time Tony nominee Michael Greif (Broadway’s Rent, Grey Gardens), The cast includes Alice Ripley (Side Show), Aaron Tveit (Wicked, Hairspray), Adam Chanler-Berat and Jennifer Damiano (Spring Awakening) reprise their roles from the Second Stage production and are joined by J. Robert Spencer (Jersey Boys) and Louis Hobson.

Aaron Tveit (R) will be familiar to Berkshire audiences who saw him at Barrington Stage as Matt in Calvin Berger, seen here with David Perlman (L) as Calvin. Kevin Sprague Photo.

For those who haven't been to DC in a while, the company is currently rebuilding its 47-year-old Southwest DC theater campus which includes the Fichandler Stage and the Kreeger Theatre. Its reopening is slated for the 2010/2011 season. It currently operates out of Arena Stage in Crystal City and the historic Lincoln Theatre.

Visit their website for excerpts of Next to Normal and news of their next production, Irving Berlin's I Love A Piano, to run January 29 to February 15 at the Lincoln Theatre.

Aaron Tveit as Gabe, J. Robert Spencer as Dan, Alice Ripley as Diana, Jennifer Damiano as Natalie, Adam Chanler-Berat as Henry and Louis Hobson as Dr. Madden at Arena Stage in Crystal City through January 18, 2009. Photo by Joan Marcus. Photo by Joan Marcus.

Innovation is not only on the stage

Arena Stage is well known for its theatrical creativity, but this company goes the extra step. Its Board and administration have undertaken some pretty remarkable initiatives.

For example, when the investment banks failed and Washington was consumed with the economic rescue, Arena held a "Bail Out" ticket sale. Knowing that uncertain economic times creates uncertain ticket sales, they offered a one-day only "bail out" ticket sale. During these 24 hours, all tickets were $25 each for the first week of performances to all remaining seven shows at Arena Stage. This represented a savings of up to 60% off regular ticket prices for more than 25,000 tickets. According to Laura Bloom, Arena's media relations associate, the total number of tickets sold during this sale was 6,661 for an income of nearly $200,000. Pretty incredible, folks.

(L-R) J. Robert Spencer as Dan and Alice Ripley as Diana in Next to Normal at Arena Stage in Crystal City through January 18, 2009. Photo by Joan Marcus

The other program I find impressive is called "Send a young person to the theater" and it is both an educational and audience development initiative. These programs are largely sponsored by contributions both from individuals and grant givers. Arena Stage gives thousands of free and heavily discounted tickets to local students, forfeiting over $100,000 of revenue in the process, but insuring the growth of future audiences for theatre. Thank you!