Tracey Moffatt, "Marie Curie, Under the Sign of Scorpio", 2005, archival pigment ink on acid-free rag paper, 17 x 23 inches
Artist. Feminist. Human Being. Her words and work use the artifice of culture and get to the sinew that connects life with death. Spend twenty minutes with her via these videos and you may follow her work for the rest of your life. Tracey Moffatt may be Australian and part aboriginal by birth, but her creative gift belongs to the world.
First, a short interview with her about her latest project at The Brooklyn Museum.
Twenty years ago, she created this short experimental film that is about the relationship between an aboriginal daughter and her white mother. The daughter cares for her mother as she approaches death in a film shot entirely in her own created visual environment. It is easy to see this film as at least partially autobiographical, and yet its wordlessness brings to mind the simplicity of Beckett, the desolate world of Sam Shepherd and even the early experimental films of Kenneth Anger.
Her film Night Cries: A Rural Tragedy is in two parts.
The Brooklyn Museum has an extensive collection of her work.